8
technology -
towards a deep ecology of art, architecture and being
research project of goldsmiths, university of london
director: raphael jay adjani
associate: sian ni mhuiri
8 people -
members, associates, collaborators, supporters include:
(alphabetically listed)
akiko ban
andre amalio
ania bas and the kube gallery team
be yarowng
brit bunkley - curator, zero (hybrid 2)
chanyaporn chuntamara - curator: red cube series 01 playground, and atmospheres
daisuke fujisawa
eriko kaniwa - curator, deep ecology (tokyo presentation)
gareth jenkinson
gudmundur ingi thorvaldsson
ian gwilt - co-curator, zero (hybrid 2)
jem main - curator, way of tea - an art of conviviality
jemima yong
katerina drakopoulou
linda drew - curator, vermilion cube
madaleine trigg
mirian nogueira tavares
naoko nagai
nicole dimitrakopoulou
ninaz khodaiji - curator, i_magine
pattarasuda anuman rajadhon
raphael jay adjani a.k.a. ajaykumar
ravi juneja
rob palmer
sara irani
sarochinee pam simargool
satomi mihira
sian ni mhuiri
stuart mcclure
takashi nishida
toshio shimizu - curator, zero: the aroma of technology, the flavour of art, to
savour being
valeria tello giusti
vitoria horta
wiracha daochai
see all 8 technology facebook group members
supporting and associated organisations include
accidental festival at b.a.c., london, u.k.
british council
change the world gallery, tokyo, japan
centre of investigation in art and communication (c.i.a.c.), university of the algarve, portugal
c.e.m.: centro em movimento, lisbon, portugal
gakushuin womens college, tokyo, japan
goldsmiths, university of london, london, u.k.
king mongkut’s university of technology thonburi (k.m.u.t.t), school of archtiecture and design:
kube, poole, u.k.
media and interdisciplinary arts centre (m.i.c.), auckland, new zealand
new radio and performing arts (n.r.p.a.), u.s.a.
toshio shimizu art office, tokyo, japan
turbulence, u.s.a.
university of the arts london, u.k.
watermans, london u.k.
幽玄
this site is both ‘art ‘ and ‘information’ in that it can tell you about what 8 does, at the same time it is created and tended near daily, in a deliberate, ritualised process of re-construction and re-creation, according to mood, season, context, a durational work without duration - a ‘technology’ of the every day, towards a poor technology, in the manner of a daily tea ceremony or tending of a zen garden, for your pleasure...
each page is unique, constructed with minor compositional variation as well as built in random processes: spot the ‘acidents’ and deliberate imperfections...
connect with 8’s near daily twitter
join the evolving discussion too at facebook
